A Columbus motion graphics studio designed for stadium scale.
Motion design that performs at any size — from 9:16 social to the 200-foot LED canvas at Little Caesars Arena. Three NBA seasons and counting with the Detroit Pistons.
Motion graphics is what carries a brand from static to alive. Hype packages, broadcast graphics, animated logos, explainer videos, social loops, kinetic typography, brand animations, stadium-scale LED design — the format is wide, but the underlying skill is the same: telling a story through motion, type, and timing.
Doozy Crew has been operating as a Columbus motion graphics studio since 2012, with three NBA seasons of work for the Detroit Pistons across more than 45 Daktronics LED displays at Little Caesars Arena — each with its own resolution, aspect ratio, and screen specs. We've designed broadcast graphics for hundreds of game-day hype packages and stadium activations.
Beyond sports, we produce motion design for brand campaigns (YKK AP architect-focused sketches with motion-design integration), educational and donor content (Ohio State Day of Giving), and product launches across consumer and B2B categories.
Motion design is one of the few production categories where geography matters less than craft — we deliver across the country and internationally without travel. But for Columbus and central Ohio brands, working with a local Columbus motion graphics studio means real-time creative collaboration, faster review cycles, and the option to pair motion design with full-service video production under one roof.
Our motion design team works in Adobe After Effects, Cinema 4D, DaVinci Fusion, and Premiere Pro, with custom plugins and pipelines for high-volume work like the multi-screen Pistons hype packages.
How we work.
Brief + style frames
We start with the brand, the screen specs, the runtime, and the goal. Style frames go through approval before any animation work begins so the visual direction is locked early.
Storyboard + animatic
For longer or more complex pieces, we storyboard the sequence and produce a rough animatic that locks pacing, key moments, and transitions before frame-by-frame animation starts.
Animation
Frame-by-frame motion design built to the screen specs you actually need — broadcast 16:9, vertical 9:16, ultrawide LED, square 1:1, custom multi-screen layouts.
Delivery
Final files in the exact format your team or venue needs: ProRes masters, H.264 web exports, alpha-channel overlays, looping seamless files, and project source files for future use.
- Final animation in client-specified formats and resolutions
- Multi-screen versions for stadium LED, broadcast, and social
- Looping seamless files for ambient displays and trade-show loops
- Alpha-channel overlays for compositing into other footage
- Licensed music and sound design as needed
- Source project files available at end of project at cost
Recent motion graphics studio work.
Motion graphics pricing varies more than any other format because the spread of complexity is wider. A 15-second animated logo reveal might be $1,500. A full broadcast hype package with 3D elements and licensed music might be $25K. A multi-screen stadium LED package for a full sports season is six figures. We quote based on runtime, complexity, screen count, and delivery formats — fixed-fee after the kickoff call.
Common questions, quick answers.
Do you design for sports arena LED displays specifically?
Yes — it's one of our specialties. We've designed motion graphics across more than 45 Daktronics LED displays at Little Caesars Arena (Detroit Pistons) for three NBA seasons. Each display has its own resolution, aspect ratio, and brightness specs, and our motion graphics pipeline is built to handle that complexity at game-day volumes.
Can you produce motion graphics standalone, or only as part of a video production?
Both. We frequently produce standalone motion design — animated logos, brand bumpers, kinetic typography, explainer videos, social loops, broadcast graphics, stadium content. We also integrate motion graphics into full-service video productions where the spots need animated lower-thirds, transitions, or end-card branding.
What software do you use?
Adobe After Effects for most 2D and compositing work, Cinema 4D for 3D animation, DaVinci Fusion for nodal compositing and finishing, and Premiere Pro for editorial. Our pipeline is designed for high-volume multi-screen work without quality drops.
Can you match an existing brand animation style?
Yes. We can match an existing brand animation guide or evolve one. For brands with existing motion-design systems, we work from the brand's style frames, motion principles, and approved typefaces.
How fast can you turn around motion graphics?
Simple animated logo bumpers can land in a week. A full 30-second branded explainer typically takes three to five weeks from brief to final. Multi-spot campaigns and stadium-scale packages run longer.
Got a project worth making?
15 minutes is enough to know if we're a fit. No deck, no slides.